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The French Institute in New York City is hosting a couple of events for Sarah Caron's work. An exhibition of her photographs, a documentary film on her by Patrick Chauvel and a panel discussion.
Sarah Caron is a French photographer, who travels the world, working both in journalism and on projects. Her assignments have taken her to Thailand, Cuba, Burma, and Mexico. In 2006, she received a Getty Images Grant for Editorial Photography to complete The Al-Aqsa Martyr Brigades– The Balata Sentinels, a series exploring the martyrdom culture in Palestine. Her work has been published in international publications, including Le Monde, Le Figaro, The New York Times Magazine, Newsweek, and Elle.
Sarah Caron has also photographed the Indian widows in Vrindavan, titling her gallery "Les Veuves Blanches" or "The Widows In White". The gallery is of black & white photographs, and seems to have been photographed very recently. In fact, I believe I recognize a few faces amongst the widows which I photographed for my own work White Shadows.
The French Institute's events on Sarah Caron
Sarah Caron's Veuves Blanches
UPDATE: I dropped by the French Institute/Alliance Française today (February 14), and I must say that the exhibit was disappointing. Three of Sarah Caron's photographs were large enough, but the remainder of the exhibit were of photographs not much larger than 8x10 at most. The three large photographs were intelligently chosen. Since there were no captions, I'll describe the photographs as best I can. One was of was I believe is of 3 men and a woman carrying rifles and handguns...probably belonging to some sort of militia in Arizona which patrols the border between the US and Mexico. The middle one was of Pakistani mustachioed bodyguards (possibly those of Benazir Bhutto) holding Kalashnikovs, and the third is of a masked Palestinian insurgent loading a RPG unto a rifle. The juxtaposition of these three photographs was obviously done on purpose.